The Latin American Art Song: Sounds of the Imagined NationsRowman & Littlefield, 17. pro 2018. - Broj stranica: 188 Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Perú, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated. The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. |
Sadržaj
1 | |
Chapter 1 | 9 |
Chapter 2 | 49 |
Chapter 3 | 95 |
Chapter 4 | 107 |
Chapter 5 | 119 |
Discography | 149 |
153 | |
161 | |
About the Author | 167 |
Ostala izdanja - Prikaži sve
The Latin American Art Song: Sounds of the Imagined Nations Patricia Caicedo Pregled nije dostupan - 2018 |
The Latin American Art Song: Sounds of the Imagined Nations Patricia Caicedo Pregled nije dostupan - 2020 |
Uobičajeni izrazi i fraze
aesthetic African Afro-Cuban Alberto Ginastera American art song anthem Argentina art music artistic audience Barcelona began Béhague Brazil Brazilian composer Buenos Aires Camargo Guarnieri canciones Carlos Guastavino Colombia composition concept conservatories considered construction context Creole Cuban cultural dance Eduardo elements elites environment Europe European expression folk music folklore genre guitar Heitor Villa-Lobos Indigenous influenced José language Latin American art Latin American composers Latin American Music León Manuel María Mário de Andrade meaning-producing agents melody México modinha motifs movement música musical nationalism musicians national identity national style nationalist Nepomuceno nineteenth century nueva canción opera origin Patricia Caicedo Performed by Patricia Peru Peruvian poems poet poetry popular music popular song Portuguese published repertoire represented rhythm rhythmic São Paulo singing social song cycle sound space Spanish subfield tion traditional twentieth century types of song Valcárcel Venezuela vidalita Villa-Lobos vocal voice and piano written