Contributions to the Literature of the Fine Arts, Opseg 2

addressed admiration Agostino Carracci Albert Durer Allegory alluded ancient Angelo Annibale Carracci antique appear Aristotle artists Athens beauty brother William Carracci century character Charles Eastlake chiefly classic colour Correggio distinct drawings Edition effect English engraving excellence excite exhibited expression feeling figures Florence French fresco German Giorgione Giulio Romano give Greek hand Harman idea Illustrations imagination imitation impression influence instance interest Italian Italy kind labour landscape language Leonardo da Vinci less letter Lord Madonna master means mind modern National Gallery nature never object observed painter Painting Palace Paul Veronese perfection picture Plymouth Poet poetical Poetry Portrait Post 8vo Poussin Prince principle Raphael remarkable representation Reynolds Rome Royal Academy Salona says scene Sculpture seen sense Sir Charles Sir Robert Peel sketches specimens spectator style sublime supposed taste things tion Titian Vasari Venetian Venice writes young