Visual Anthropology: Photography as a Research Method

35 mm film Acadian allows analysis anthropology audience film Auricon behavior Byers camera records ceremony challenge circumstances Collier comparable complete CONDITION OF FURNISHINGS contact prints cultural inventory detail developed document effort elements emotional Eskimo ethnographic evidence examination experience exposure feedback field fieldworker film-making fishing footage frame function gathering Gregory Bateson households human identification Indian informant interaction interview JOHN COLLIER Kiowa Leica lens lenses light look mapping Margaret Mead material mestizo methodology movie camera native Navajo negative nonverbal observation Otavalo Patricia Hitchcock patterns Paul Ekman photo-interviewing photographic content Planalp Plenns Pomo precise Private communication problem projective psychological quality and condition reading relationships relocation role sample scenes scientific selected significant Sioux social structure sofa strobe technique tion tool ture urban variables verbal visual wide-angle lens