Violins and violin makers |
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Stranica 17
... Venezia , 18th Century ARTMANN , GOTHA . Followed Cremona pattern . ASSALONE , GASPARD , Rome , 18th Century . Cremona patterns . B. BACHMANN , LOUIS CHARLES , Berlin , born 1716 , died 1800. Considered to be one of the best makers of ...
... Venezia , 18th Century ARTMANN , GOTHA . Followed Cremona pattern . ASSALONE , GASPARD , Rome , 18th Century . Cremona patterns . B. BACHMANN , LOUIS CHARLES , Berlin , born 1716 , died 1800. Considered to be one of the best makers of ...
Stranica 23
... Venezia , 18th Century . An early English Lute and Viol Maker . Mace , 1675 , says " one bass of Bolles , I have known valued at £ 100 , " equal to at least £ 600 of our present money . BORELLI , ANDREAS , Parma , 1740 . BOULLAINGER ...
... Venezia , 18th Century . An early English Lute and Viol Maker . Mace , 1675 , says " one bass of Bolles , I have known valued at £ 100 , " equal to at least £ 600 of our present money . BORELLI , ANDREAS , Parma , 1740 . BOULLAINGER ...
Stranica 31
... Venezia , about 1700 . FENDT , or FINTH , Paris , 1763-80 . Made good instruments after the Stradiuarius model , some of which followed his style so carefully as to have been taken for those of that master . FENDT , BERNHARD , born 1775 ...
... Venezia , about 1700 . FENDT , or FINTH , Paris , 1763-80 . Made good instruments after the Stradiuarius model , some of which followed his style so carefully as to have been taken for those of that master . FENDT , BERNHARD , born 1775 ...
Stranica 38
... was most highly finished and his varnish of a rich quality . GILKES , WILLIAM , born 1811. Not equal as a maker to Samuel . GIORDANE , ALBERTO , Cremona , 1735 . GOBETTI , FRANCISCO , Venezia , about 1700. A pupil 38.
... was most highly finished and his varnish of a rich quality . GILKES , WILLIAM , born 1811. Not equal as a maker to Samuel . GIORDANE , ALBERTO , Cremona , 1735 . GOBETTI , FRANCISCO , Venezia , about 1700. A pupil 38.
Stranica 39
... Venezia , about . 1725. A good maker after Cremona patterns . GOFILLER , FRANCISCO , Venezia . Brother to Matteo , similar , same date . GRAGNARIUS , ANTONIO , early part of 18th Century . GRANCINO , GIOVANNI , Milan , middle of 17th ...
... Venezia , about . 1725. A good maker after Cremona patterns . GOFILLER , FRANCISCO , Venezia . Brother to Matteo , similar , same date . GRAGNARIUS , ANTONIO , early part of 18th Century . GRANCINO , GIOVANNI , Milan , middle of 17th ...
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18th Century amateur amber varnish Ancient Andrew Amati Antonius artiste Author beautiful Bergonzi Bishop born Brescia CARLO celebrated CHARLES Charles Plowden colour connoisseurs Cremona makers Cremonese Dictionary distinguished double bass Edinburgh Review Encyclopædia English Essays excellent instruments excellent maker FENDT Fetis flat model Forster Fourth Edition Fraser's Magazine GAGLIANO Gaspar di Salo Geography GIOVANNI GUADAGNINI GUISEPPE highly esteemed Illustrations imitator instru Italian JACOB STEINER JOHN Joseph Guarnerius KLOTZ known Lectures London lute Magini Mantua Maps master ments Milan musical Nicholas Amati Ole Bull Otto says PANORMO Paris pattern perfect Plates Portrait possess Post 8vo powerful tone present productions PUBLISHED BY LONGMAN pupil of Stradiuarius purfling quality of tone rebecs rich Second Edition Spohr Square crown 8vo Steiner Stradiuarius struments sweet tenors Third Edition THOMAS Tourte TREASURY Treatise varnish Venezia violin makers violinist violoncello viols vols Vuillaume WILLIAM wood Woodcuts yellow varnish
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