Schubert in the European Imagination, Opseg 2University Rochester Press, 2006 - Broj stranica: 315 A richly detailed examination of the historical reception of Franz Schubert in nineteenth- and early twentieth-century Europe, with a concentration on fin-de-siècle Vienna. Schubert in the European Imagination: Fin-de-Siècle Vienna examines the composer's historical and cultural reception by Viennese modernists. By 1900, issues of gender had crossed with those of nationalism, especially in thecity that came to consider Schubert as its favorite musical son. As Messing here explains and explores in rich detail, composers, writers, and visual artists manipulated the conventions of the composer and gender in ways that critiqued the very culture that had created this image. Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University ofRochester Press, 1996). |
Sadržaj
Introduction to Volume 2 | 9 |
Gustav Klimts Schubert | 70 |
Arthur Schnitzler | 95 |
Schubert Modernism and the FindeSiècle Science of Sexuality | 118 |
Peter Altenbergs Schubert | 146 |
Arnold Schoenbergs Schubert | 170 |
Music Examples | 179 |
Conclusion | 197 |
Afterword | 203 |
Notes | 209 |
1 | 212 |
2 | 229 |
68 | 238 |
List of Journals and Newspapers Cited | 271 |
301 | |
Ostala izdanja - Prikaži sve
Schubert in the European Imagination: Fin de siècle Vienna. 2 Scott Messing (musicologue) Pregled nije dostupan - 2007 |