Necklines: The Art of Jacques-Louis David After the TerrorYale University Press, 1. sij 1999. - Broj stranica: 374 This book examines the crucial period in the painter's career as he struggled to save his neck and recast his identity in the aftermath of the Reign of Terror. Burcharth assesses his works in the context of the larger cultural and social formations emerging in France concluding with an interpretation of the unfinished portrait of Juliette Recamier. |
Sadržaj
The Shadow of the Guillotine | 8 |
CHAPTER | 71 |
CHAPTER THREE | 130 |
CHAPTER FOUR | 236 |
Notes | 307 |
| 355 | |
| 374 | |
Uobičajeni izrazi i fraze
Abandoned Psyche aesthetic articulation artist Bibliothèque nationale bodily boudoir Cabinet des estampes Chaussard cultural Danaë David David's painting David's studio Davidian defined Delécluze deputies desire dimension Directoire Directorial discourse discussion drawing eighteenth-century emerged engraving erotic exhibition fantasy fashion female body feminine figure French Revolution function gaze gender Gérard's Girodet's guillotine history painter Homer Hôtel houppelande iconography ideal identification identity imaginary Jacobin Jacques-Louis David kind Lacan look loss Madame Récamier male body Marat masculine medallion melancholia mirror Mme Récamier mode Montagnards muscadin Musée du Louvre narcissistic nude nudity object Oeuvres oil on canvas painter Paris Parisian pictorial political portrait pose post-Thermidorian produced Psyche psychic psychosexual relation representation republican revolutionary Robespierre Sabine Women Salon sans-culottes sartorial Schnapper & Sérullaz self-definition self-portrait sense sexual difference sitter social specific status structure suggests symbolic Tennis Court Oath Terror Thermidor Thermidorian tion University Press viewer vision visual Wildenstein woman
Popularni odlomci
Stranica 363 - Rapports et discussions de toutes les classes de l'Institut de France sur les ouvrages admis au concours pour les prix décennaux. Paris, novembre 1810.