Necklines: The Art of Jacques-Louis David After the TerrorYale University Press, 1. sij 1999. - Broj stranica: 374 This book examines the crucial period in the painter's career as he struggled to save his neck and recast his identity in the aftermath of the Reign of Terror. Burcharth assesses his works in the context of the larger cultural and social formations emerging in France concluding with an interpretation of the unfinished portrait of Juliette Recamier. |
Sadržaj
The Shadow of the Guillotine | 8 |
CHAPTER | 71 |
CHAPTER THREE | 130 |
CHAPTER FOUR | 236 |
Notes | 307 |
355 | |
374 | |
Uobičajeni izrazi i fraze
aesthetic appearance articulation artist body called canvas collective construction Convention corporeal critical cultural David defined deputies desire dimension Directoire Directorial discourse discussion drawing dress earlier effect emerged engraving example exhibition fashion female feminine figure formation French function gaze gender hand Homer idea ideal identification identity imaginary important individual institutional Jacobin kind language late look loss Louvre male male body Marat marked masculine meaning medallion mirror Mme Récamier mode Musée nationale notion object offered painter painting Paris political portrait pose position post-Thermidorian practice presented prison produced Psyche recognize reference relation represent representation republican Revolution revolutionary Robespierre Sabines Salon sans-culottes seems seen sense sexual shaped situation social space speak specific status structure studio suggests symbolic Terror Thermidor tion turned University Press vision visual woman women
Popularni odlomci
Stranica 363 - Rapports et discussions de toutes les classes de l'Institut de France sur les ouvrages admis au concours pour les prix décennaux. Paris, novembre 1810.