Traces of War: Poetry, Photography, and the Crisis of the Union

adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground Harper's human ideal ideological important individual interest land landscape Leaves legitimate less Lincoln lines living means Melville memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic poetry political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded