Boys: Masculinities In Contemporary CultureAnalyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Mohammad Ali, Harvey Keitel, Jean-Claude Van Damme, Dan Quayle, and Newt Gingrich and explodes the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror. Written by cultural studies scholars from departments of film, media studies, English, women's studies, and sociology, the discussions touch on almost every conceivable issue concerning the complex meanings of masculinity and contemporary society. The contributors do not offer simple answers to the dilemmas they uncover; rather, they explore the ways different forms of masculinity cut through and invalidate generally accepted monoliths of masculinity. These writers argue that it is inappropriate to ask, "What is masculinity?" Instead, they focus on what masculinity isn't, demonstrating that there are only masculinities in the plural, defined by differences and contradictions. Boys reveals the depth and breadth of these complexities, offering readers a far more satisfying definition of what it means to be male in our current culture. |
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Stranica 102
all images and scenes through Fergus's point of view . If the black men become pictures , Fergus is their framer ; he is the pivot , however wobbly , upon which turn the repetitions and rhymes that produce them as icons .
all images and scenes through Fergus's point of view . If the black men become pictures , Fergus is their framer ; he is the pivot , however wobbly , upon which turn the repetitions and rhymes that produce them as icons .
Stranica 103
Smirking , that is , as if to acknowledge a joke at Fergus's expense . ... we are unable to anticipate the arc of its trajectory , a trajectory that curves back retroactively to rewrite Fergus and Jody's encounter .
Smirking , that is , as if to acknowledge a joke at Fergus's expense . ... we are unable to anticipate the arc of its trajectory , a trajectory that curves back retroactively to rewrite Fergus and Jody's encounter .
Stranica 105
When the film isolates Fergus's face as the site of visible erotic pleasure and expressiveness in the fellatio scene , we may read this as conventional cinematic coding for the representation of sexual encounters - in both mainstream ...
When the film isolates Fergus's face as the site of visible erotic pleasure and expressiveness in the fellatio scene , we may read this as conventional cinematic coding for the representation of sexual encounters - in both mainstream ...
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Introduction Paul Smith | 1 |
A Buffalo New York Story Fred Pfeil | 9 |
Father Figure Danae Clark | 23 |
Autorska prava | |
Broj ostalih dijelova koji nisu prikazani: 13
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