Boys: Masculinities In Contemporary CulturePaul Smith Avalon Publishing, 27. lip 1996. - Broj stranica: 326 Analyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Mohammad Ali, Harvey Keitel, Jean-Claude Van Damme, Dan Quayle, and Newt Gingrich and explodes the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror. Written by cultural studies scholars from departments of film, media studies, English, women's studies, and sociology, the discussions touch on almost every conceivable issue concerning the complex meanings of masculinity and contemporary society. The contributors do not offer simple answers to the dilemmas they uncover; rather, they explore the ways different forms of masculinity cut through and invalidate generally accepted monoliths of masculinity. These writers argue that it is inappropriate to ask, "What is masculinity?" Instead, they focus on what masculinity isn't, demonstrating that there are only masculinities in the plural, defined by differences and contradictions. Boys reveals the depth and breadth of these complexities, offering readers a far more satisfying definition of what it means to be male in our current culture. |
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Stranica 10
... knew it had nothing to do with Practice Makes Perfect , there was something wrong with me and that was that . Or like when at this same time the Russians beat us out and put up Sputnik first , and Life magazine did a survey and found ...
... knew it had nothing to do with Practice Makes Perfect , there was something wrong with me and that was that . Or like when at this same time the Russians beat us out and put up Sputnik first , and Life magazine did a survey and found ...
Stranica 32
... knew it was my father speaking , and I knew that in the last moments of his life he had welcomed me into his ( joking ) space . I did not wish him dead . I wanted to remain in that ( living , protective ) space with him where we shared ...
... knew it was my father speaking , and I knew that in the last moments of his life he had welcomed me into his ( joking ) space . I did not wish him dead . I wanted to remain in that ( living , protective ) space with him where we shared ...
Stranica 152
... knew which weapons each situation demanded , he knew which guise would serve him best - Ali the arrogant , Ali the poet , or Ali the Muslim . More than that , however , he had the courage to break the rules when he thought them unjust ...
... knew which weapons each situation demanded , he knew which guise would serve him best - Ali the arrogant , Ali the poet , or Ali the Muslim . More than that , however , he had the courage to break the rules when he thought them unjust ...
Sadržaj
Introduction Paul Smith | 1 |
A Buffalo New York Story Fred Pfeil | 9 |
Father Figure Danae Clark | 23 |
Autorska prava | |
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Ali's American argues attempt audience authenticity becomes Bersani body construction context critique Cronenberg Crying Game culinity cultural elite Damme Damme's Dan Quayle David David Cronenberg desire Dil's discourse dream economic erotic essay fact fantasy father feminism feminist Fergus Fergus's film film's Foucault frontier fuck gay male gender Gingrich Green Day Grossberg Harvey Keitel Hawking hero heterosexual homosexuality human identity ideology intellectual interview Jean-Claude Jean-Claude Van Damme Jody Jody's Keitel kind lesbian lesbian and gay Limbaugh masculinity means Michel Foucault movie Muhammad Ali narrative national-political Newt Gingrich Nirvana penis play political popular culture position postmodern produced Pronger Quayle Quayle's queer question relation relationship representation Reservoir Dogs resistance role Routledge Sebadoh seems sense sexual social specific Stephen Hawking story suggests tell theory tion University Press women York