Painting on the Page: Interartistic Approaches to Modern Hispanic Texts

Naslovnica
SUNY Press, 1. sij 1995. - Broj stranica: 341
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Painting on the Page devises critical strategies that combine psychoanalysis, feminism, semiotics, and philosophy to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting and to larger questions of art and literary history. The authors widen the theoretical lines to Hispanism, where approaches of this kind are rare. The book raises crucial concerns that relocate the art works and texts in question beyond the historical or aesthetic framework in which they have been traditionally placed.
 

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Sadržaj

Lucas Samaras Mirrored Room 1966
2
The Temptation of Saint Julian in Emilia
25
Francisco de Goya The Witches Sabbath
32
The Marquis
51
Raphael Madonna of the Fish Prado
54
Sir Edward BurneJones The Golden Stairs
62
Love and Art
77
Titian Bacchanal Prado Madrid
79
Peter Paul Rubens Nymphs and Satyrs
145
Pablo Picasso Faun Unveiling a Sleeping
151
Bosch The Garden of Earthly Delights
157
Titian Sacred and Profane Love Galleria
163
José Donosos
169
Front cover of José Donosos El jardín
173
Mario Vargas Llosa
197
Guillermo Cabrera
237

El Greco Portrait of an Unknown
90
Art and Society in Luis
103
The Metropolitan Museum of Art New York
111
Goya Spains Amusement Diversión
124
From Hieronymus Bosch to Francisco Ayala
129
Michelangelo Last Judgment Sistine Chapel
139
Epidialogue
257
Notes
275
Works Cited
309
Index
329
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O autoru (1995)

Rosemary Geisdorfer Feal is Associate Professor of Spanish at the University of Rochester where she also teaches Comparative Literature and Women's Studies. She is the author of Novel Lives, a study of Spanish-American fictional autobiography.

Carlos Feal is Professor of Spanish at the State University of New York at Buffalo. He has published books on Pedro Salinas, Unamuno, Lorca, and the Don Juan myth in Spanish literature.

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