Film Copyright in the European UnionCambridge University Press, 20. lip 2002. - Broj stranica: 431 Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on this subject, Pascal Kamina unravels the complexities of film protection in the fifteen member states of the European Union, giving special emphasis to the United Kingdom and France. As well as addressing key aspects of film copyright, Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. He details the main features of the domestic legislations of EU member states, and identifies the difficulties awaiting a further harmonization of copyright and neighbouring rights in this field. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe. |
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Rezultati 1 - 5 od 91.
Stranica 4
... with the principal director, considered as co-author of the film (s. 18); see para. 118. 18 See paras. 229 et seq. 19 The film director being the author or one of 4 Film copyright in the European Union 3. European harmonisation of ...
... with the principal director, considered as co-author of the film (s. 18); see para. 118. 18 See paras. 229 et seq. 19 The film director being the author or one of 4 Film copyright in the European Union 3. European harmonisation of ...
Stranica 7
... considered as audiovisual works within the meaning of the Treaty on the International Registration of Audiovisual Works of 20 April 1989. In addition to certain similarities in the creation process and the advantages presented by the ...
... considered as audiovisual works within the meaning of the Treaty on the International Registration of Audiovisual Works of 20 April 1989. In addition to certain similarities in the creation process and the advantages presented by the ...
Stranica 13
... considered copies within the meaning of the Act (Novello v. Sudlow (1852) 12 CB 177; Boosey v. Whight [1900] 1 Ch 122). However, literary works, as well as dramatic and musical works, were protected if they took the form of a 'book ...
... considered copies within the meaning of the Act (Novello v. Sudlow (1852) 12 CB 177; Boosey v. Whight [1900] 1 Ch 122). However, literary works, as well as dramatic and musical works, were protected if they took the form of a 'book ...
Stranica 14
... considered as a 'performance in a place of dramatic entertainment' within the mean- ing of this Act.35 Concerning the copyright, there was also a doubt as to whether a dramatic work could be infringed without the use of its actual words ...
... considered as a 'performance in a place of dramatic entertainment' within the mean- ing of this Act.35 Concerning the copyright, there was also a doubt as to whether a dramatic work could be infringed without the use of its actual words ...
Stranica 17
... considered cinematographic works to be protected as a series of photographs under this Act.47 A difference from French law lay in the requirement of deposit for copyright works, which was more stringent: copyright in a photographic or ...
... considered cinematographic works to be protected as a series of photographs under this Act.47 A difference from French law lay in the requirement of deposit for copyright works, which was more stringent: copyright in a photographic or ...
Sadržaj
1 | |
9 | |
3 Subsistence of copyright | 59 |
4 Authorship and initial ownership | 130 |
5 Copyright transfers and authorial rights | 173 |
6 Exclusive rights | 208 |
7 Exemptions and permitted acts | 256 |
8 Moral rights in films | 284 |
10 Protection of foreign film works | 365 |
A basic guide to the European Union | 386 |
Principal national copyright legislation | 391 |
EC copyright directives | 393 |
Status of the adherence of EU Member States to international copyright conventions | 394 |
US copyright relations with EU Member States | 400 |
Index | 403 |
9 Performers rights | 338 |
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Uobičajeni izrazi i fraze
adaptation agreement appears apply artistic audiovisual authorise Berne Convention broadcasting organisations cinematograph film cinematographic co-authors collecting societies considered contract Copyright Act Copyright and Related copyright protection Court of Appeal Court of Cassation definition dramatic droit d’auteur duration economic rights equitable remuneration European Union exclusive right exemptions exploitation film authors film director film producer fixation France Geller eds Germany granted harmonisation images implemented Information Society infringement Intellectual Property Code licence limited literary M. B. Nimmer Member moral rights musical neighbouring rights original paras Paris Court person phonograms photographs presumption of assignment private copy provides regime Related Rights Act Rental Directive rental right reproduction Revue Dalloz RIDA right of integrity rightholders Rights Act 2000 Rome Convention rules Satellite script Section sound recording soundtrack specific statutory subject-matter television Term Directive tion Treaty Tribunal UK copyright underlying Universal Copyright Convention videogram WIPO WIPO Copyright Treaty