CLASSIFIED CATALOGUE

OF THE

CARNEGIE LIBRARY OF PITTSBURGH

1895-1902

IN THREE VOLUMES

VOLUME II

FINE ARTS-LITERATURE-FICTION
HISTORY AND TRAVEL, PART I

71

ALLEN, Grant.

Fine arts

701 Esthetics.

Physiological æsthetics. 1877..

Theories

.701 A42 "As developing more fully in a single direction the line of thought followed in psychology by Maudsley, Bain, Spencer, and Sully this work ... is of considerable historical importance... attempts to translate the æsthetic feelings into terms of neural change and the subjective concomitants of such change." Gayley & Scott's Literary criticism. BASCOM, John.

Esthetics; or, The science of beauty. 1872...

.701 B28

"The popularity enjoyed by Bascom's Aesthetics has been deserved by
the lucidity and readableness of the text." Gayley & Scott's Literary
criticism.

BAYLY, Anselm.

Alliance of musick, poetry and oratory. 1789...

BIDDLE, Horace Porter.

1701 B33

Comprises a theory of music, a dissertation on prosody and a treatise on
rhetoric.

Discourse on art. 1876....

..1701 B47

Short essay on all the forms of art and their importance in national life. BLANC, Charles.

Grammaire des arts du dessin, architecture, sculpture, pein

ture. 1867..

.qr701 B53

"The works of this author are in a sense perfunctory; one does not go
to him for stimulating criticism or bold incisive views. They are
generally trustworthy, written by a hard-working man to whom all
modern French culture and much of foreign thought were accessible."
Russell Sturgis.

BOSANQUET, Bernard.

History of æsthetic. 1892....

701 B64

"Indispensable to the student of the history of criticism... Aesthetic
theory is treated as a branch of philosophy; but the result is something
more than a history of speculation." Gayley & Scott's Literary

criticism.

BOUTERWEK, Friedrich.

Aesthetik. 1807.....

BROWN, Gerald Baldwin.

.г701 B65

The fine arts. 1891. (University extension manuals.). . . . . . . ..701 B78
Includes a chapter on The festival in its relation to the form and
spirit of classical art.

"Especially useful in the study of the origin and connection of the
arts." Gayley & Scott's Literary criticism.

COLLINGWOOD, William Gershom.

Art teaching of John Ruskin. 1900...

Biography of Ruskin, p.1-33.

..701 C69

Author was a pupil of Ruskin at Oxford and afterward his literary as-
sistant. He here systematizes, condenses and compares Ruskin's
voluminous writings.

COUSIN, Victor.

Philosophy of the beautiful. 1849

"Cousin is a member of the school of Spiritualistes.

.г701 C84

For him the sense

of beauty is purely subjective. His æsthetic is the result of a reaction
from the sensationalism of the 18th century." Gayley & Scott's
Literary criticism.

1119

227090

GLADDEN, Washington.

The relations of art and morality. 1897. . . .

..701 G45

Essay on the love of beauty and the love of righteousness as the con-
trolling principles of conduct.

HARRIS, William Torrey.

Art education the true industrial education. 1897. (Schoolroom classics.)

.701 H29

Delivered before the National educational association, 1889.

Short discussion of the theory and objects of art, and how they have
been realized by different people at different times.

HEGEL, Georg Wilhelm Friedrich.

The introduction to Hegel's Philosophy of fine arts; tr. fr. the German by Bernard Bosanquet. 1886...

HIRN, Yrjo.

Origins of art; a psychological and sociological inquiry. 1900

"Authorities quoted," p.307-322.

..701 H41

.701 H61

"Divides his inquiry into two parts, the first being an effort to find what
is the original art impulse'... and the second, an endeavor to trace
the actual origin of several of the arts as apart from the general art im-
pulse...The book is learned, ingenious and modest, and is marked by
an excellence of English style quite astonishing in the work of a
foreigner." Nation, 1901.

KEDNEY, John Steinfort.

Hegel's "Esthetics;" a critical exposition. 1897...

.701 K15

KNIGHT, William Angus.

Philosophy of the beautiful. 2v. 1895-98. (University exten

sion manuals.)

..701 K34

V.I.

Outlines of the history of æsthetics.

v.2. Philosophy of the beautiful; a contribution to its theory and to
a discussion of the arts.

Several of the chapters are followed by bibliographies.

LASAULX, Ernst von.

Philosophie der schönen künste; architektur, sculptur, malerei,

musik, poesie, prosa. 1860...

1701 L33

LESSING, Gotthold Ephraim.

Laocoön; an essay upon the limits of painting and poetry. 1893....

..70I L64

"Ranks as a classic not only in German but in European literature, and
its style alone, which is as near perfection as anything Lessing ever
wrote would almost entitle it to this position. His central aim is to
define by analysis the limitations of poetry and the plastic arts.
Many of his conclusions have been corrected and extended by later
criticism, but he indicated more decisively than any of his prede-
cessors the fruitful principle that each art is subject to definite con-
ditions." Encyclopædia Britannica.

Laokoon; oder, Ueber die grenzen der malerei und poesie. 1879. (Bibliothek der deutschen nationalliteratur.). . . . . . .r701 L641 LONG, Samuel Pierce.

Art; its laws and the reasons for them. 1871

.....

Discussion of the principles of art, useful as a text-book or for general
reading for those wishing to form intelligent judgments concerning
works of art.

.701 L82

LONGINUS, Dionysius Cassius.

On the sublime; the Greek text edited after the Paris manu

script by W. R. Roberts.
Bibliography, p.247-261.

1899.....

1701 L83

"The object of the author...is to indicate broadly the essentials of a
noble and impressive style. In fact if we were to describe the treatise
as one on style, or even on literary criticism generally, we should be