Collected Poems

Naslovnica
University of Chicago Press, 2. lip 1991. - Broj stranica: 475
Donald Davie's poems are here arranged chronologically from the 1950s to the beginning of the 1990s. Taken together, the poems display that reverence for the distinctive qualities of the English language which has earned him a name as one of Britain's finest living poets.

"Davie's voice—judgemental, ironic, epigrammatic, humorous, self-lacerating—speaks always with reference to an unhuman perpendicular standard that itself goes unquestioned. It is not a standard of Beauty or Truth; Davie is a poet of the third member of the Platonic triad, Justice."—Helen Vendler, The New Yorker

"[Davie's poems] are on the quiet side, often casual and musing in mood and tone; determined to resist large gestures of assent or denial. . .Donald Davie may just be the best English poet-critic of our time."—William Pritchard, The New Republic

"Donald Davie's Collected Poems does more than mark the culmination of one of the most distinguished careers in post-war British poetry; it is the autobiographical journey of a living poet at the height of his creative powers and the mastery of his craft. Davie is considered the most important and valuable contemporary link between poetry in England and America."—Sarah E. McNeil, Little Rock Free Press
 

Sadržaj

Poems of the 1950s
13
Brides of Reason 1955
19
from New and Selected Poems 1961
80
A Sequence for Francis Parkman 1961
91
Events and Wisdoms 1964
101
Poems of 19621963
132
Six Epistles to Eva Hesse 1970
209
The Shires 1974
247
In the Stopping Train and other poems 1977
273
Three for WaterMusic 1981
308
The Battered Wife and other poems 1982
320
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O autoru (1991)

Donald Davie was at the forefront of the poetic school of the 1950s known as the Movement. The group's aesthetic was characterized by simplicity, in contrast to the extravagant rhetoric and stylistic excesses that they felt marked neoromantic poetic trends. Unlike other Movement poets, though, Davie generally eschews a casual tenor or informal voice, resorting instead to a more traditional prosody and affirming the influence of late Augustan poets. Davie's most durable contribution to poetic debates of the period was a work of literary criticism called Purity of Diction in English Verse (1952). The laws of poetic syntax, he argues, are as momentous as the laws of human society and should be appreciated equally. Davie was born in Barnsley, a place that figures gloomily in much of his work. He has taught at universities in both Great Britain and the United States.

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