Collected PoemsUniversity of Chicago Press, 2. lip 1991. - Broj stranica: 475 Donald Davie's poems are here arranged chronologically from the 1950s to the beginning of the 1990s. Taken together, the poems display that reverence for the distinctive qualities of the English language which has earned him a name as one of Britain's finest living poets. "Davie's voice—judgemental, ironic, epigrammatic, humorous, self-lacerating—speaks always with reference to an unhuman perpendicular standard that itself goes unquestioned. It is not a standard of Beauty or Truth; Davie is a poet of the third member of the Platonic triad, Justice."—Helen Vendler, The New Yorker "[Davie's poems] are on the quiet side, often casual and musing in mood and tone; determined to resist large gestures of assent or denial. . .Donald Davie may just be the best English poet-critic of our time."—William Pritchard, The New Republic "Donald Davie's Collected Poems does more than mark the culmination of one of the most distinguished careers in post-war British poetry; it is the autobiographical journey of a living poet at the height of his creative powers and the mastery of his craft. Davie is considered the most important and valuable contemporary link between poetry in England and America."—Sarah E. McNeil, Little Rock Free Press |
Sadržaj
Poems of the 1950s | 13 |
Brides of Reason 1955 | 19 |
from New and Selected Poems 1961 | 80 |
A Sequence for Francis Parkman 1961 | 91 |
Events and Wisdoms 1964 | 101 |
Poems of 19621963 | 132 |
Six Epistles to Eva Hesse 1970 | 209 |
The Shires 1974 | 247 |
In the Stopping Train and other poems 1977 | 273 |
Three for WaterMusic 1981 | 308 |
The Battered Wife and other poems 1982 | 320 |
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Barnsley bird Bougainville Camelford Candiac Christine Brooke-Rose Church colour Comedy comes dance dead dear death dream earth England English eyes Ezra Pound face father feel garden George Oppen Giorgio Bassani grass Grazia Deledda green ground hand head hear heart heigh-ho Helena Morley hero holy honour hope human Ivor Gurney King knew La Pérouse lady Languedoc late less light live look Lord mean Michael Ayrton mind morning mountains move Muse never night Nîmes North once pain past poem poet remember rhyme river rock seems sense shade shadows singing smiling snow sort Spring stand stone Street style tell there's things Thom Gunn thought Tonty trees Trevenen true truth turn Upper Midhope verse voice walk wind winter Zion