Séroux d'Agincourt, "Histoire de l'art," 1823, gives engrs. of two miniatures to Inf. xxvi. 101-103, xxix. 73-75 from a ms. then in the possession of Cardinal Zelada, former librarian of the Vatican. Plate 67 in the album to Lord Vernon's ed of the Inferno, 1858-65, reproduces a miniature to Inf xxi. 13 from a codex at that time in the possession of Seymour Kirkup. Engraved facsimiles of several terzine from the Bartolini, Trivulzi and Fontanini mss. are given in vol. i of the 1823-28 ed. of the Divina commedia; - from the Ambrosian, Trivulzi and Palermo mss. in Scarabelli's separately printed prefaces to the 1870-73 ed. of the Divina commedia (1014 F 79); from mss. in the British Museum, Bodleian and Cambridge University libraries in Barlow's "Contributions," 1864. G. Cardona gives engrs. of text of Inf. vii. 1-2 as found in two mss. in the Biblioteca Casanatense and the Biblioteca Angelica, and A. Lorini of the text of Inf. xxxiii. 55-57 as found in a ms. at Cortona. Specimens of chirography are also given in Scarabelli's edition of the "Codice frammentario della Divina commedia di pertinenza della biblioteca dell' università di Bologna," 1869. PICTORIAL ILLUSTRATIONS OF DANTE'S The cataloguing of iconographic material of almost every kind is of necessity a work where the cataloguer must supply much of the information given. Many works of art have neither the signature of the artist nor the date of execution. Reproductions often have varying titles and sometimes give no clue as to what the artist aimed to portray. The cataloguer must choose that title which will best serve to identify the picture. Paintings when owned by private individuals are constantly changing hands, and even when they are the property of a national government they are frequently shifted from one public gallery to another. In referring to the whereabouts of the various pictures spoken of in the following pages the latest information has been sought in recent catalogues and periodicals, as well as by personal inquiry, but it is no more than likely that some of those whose names are here given as owners of this or that picture have since died and their collections been dispersed. Reproductions of the anonymous illustrations in the early editions of Dante are referred to in the notes to the respective entries in Part I. Since the publication of that portion of the Catalogue, the Library has received the work of Kraus, containing in the chapter on "Die Buchillustration der Commedia," pp. 595-606, reproductions of a number of interesting examples of these early Dante illustrations. A list of them, together with some others found in recent publications, is here given: 1481. First page of the Inf. in a delicately illuminated copy, with vignette, is given in Kraus, p. 597, and the upper half of the same page in a more highly illuminated copy is on p. 193 of Kraus. The vignette to Inf. ii is given in Kraus, p 598, and on a larger scale, clipped from the catalogue of the Librairie Damascène Morgand, Paris, avril, 1900, no. 50, in Dante scrapbook, ii, p. 155. 1487. The illustration to Inf. v, clipped from the abovementioned catalogue of Morgand's, is in Dante scrap-book, ii, p. 155. That to Purg. i is in Kraus, p. 599. 1491. March edition. The full-page wdcts. to the Inf. and Par. are reproduced in Giornale dantesco, 1900. an. viii, pp. 123, 127. The one to the Inf. is given (surrounded by the ornamental border of the 1493 and 1497 editions) in Kraus, p. 601, although it is there wrongly referred to as from the 1487 edition. 1491. November edition. A few of the vignettes are reproduced in the volume of addresses published by the Comitato Milanese of the Società Dantesca Italiana under the title "Con Dante e per Dante," 1898. 1512. Title-page and full-page wdct to Inf. in Giornale dantesco, 1900, an. viii, p. 119. Vignette to Inf. vi in Kraus, p. 603. 1544. Wdct. to Purg. vii in Kraus, p. 604. Anonymous. Dante e Farinata, [Inf. x].-Virgilio e Sordello, [Purg. vi].— Dante e Cacciaguida, [Par. xvii]. 3 mounted photos. (In Appendice alla Strenna veneziana dell' anno passato. 1865. opp. pp. 109, 118, 128.) Illustrating the article by A. Pascolato. Anonymous. Dante meditando nei dintorni di Firenze. Quadro moderno, col paesaggio vero. Photo-engr. (In La divina comedia, con commenti secondo la scolastica del p. G. Berthier. Vol. i. 1892-[97]. p. xvii.) Anonymous. Dante ospite del Castelbarco. Photo-engr. (In T., E. Il monumento di Dante a Trento. 1890.) Anonymous. [Scenes from the life of Dante.] 12 mounted photos. [From oblong panel pictures, painted in heavy relief.] 84 × 334 in. The subjects, mostly legendary, are as follows:--Carlo Martello, figlio di Carlo II, re di Puglia, mentre si trattiene in Firenze, contrae amicizia con Dante. 1289. -2- Dante, come soldato a cavallo, si trova presente alla resa del castello di Caprona. - 1289. -3 Nell' anniversario della morte di Beatrice due distinti personaggi fanno visita a Dante, mentre disegna un angelo. -10 Dante fa dimora nel monastero dell' ordine camaldolense di S. Croce di Fonte Avellana. -1313-14. -11-Uguccione della Faggiuola, suo figlio Neri, e Dante, dopo la perdita di Pisa e Lucca, si portano in Lunigiana. 1316. 12- Dante sostiene una tesi filosofica nella cappella di S. Elena di Verona alla presenza del clero veronese. — 1320. Adamolli, Luigi, and Francesco Nenci, illustrators. See references in Part II. Agricola, Filippo. Dante and Beatrice. Engr. G. B. Borani dis. D. Marchetti inc. 16% X 13 in. In Dante portfolio, ii. Same. Engr. Gio. Batta Borani dis. Pietro Chigi inc. (In La divina commedia, corretta dal p. B. Lombardi. 1820-22. Tom. i. Frontisp.) Inscription: "Guardami ben, ben son, ben son Beatrice," [Purg. xxx. 73). Beatrice. Engr. J. For articles about this picture see Part II. Allston, Washington. Cheney. (In Goodrich, S. G. The outcast, and other poems. 1836. opp. p. 192.) After an oil-painting which figured later in the Allston exhibit in Boston, 1839. See Part II. Same. Engr. J. Cheney. (In the Token and Atlantic souvenir. Edited by S. G. Goodrich. Boston, 1836. opp. p. 105.) 1019 E 506 Illustrates the anonymous artic'e on "Dante's Beatrice." Ancona, Vito d'. [Meeting of Dante and Beatrice.] Mounted photo. (In La vita nuova, per cura di A. d' Ancona. 1872. Frontisp.) Andrea, Jacopo d'. Dante scordato da Beatrice parla a Piccarda de' Donati; soggetto preso dal canto iii del Paradiso di Dante. Engr. Gandini inc. ( (In Esposizione di belle arti in Milano e Venezia [1854]. Album. An. xvi. Milano, n. d. opp. P. 39.) 1019 2 134 With description by P. A. Curti. Andreae, Karl. [The triumph of Christ, Par. xxiii. 19-21. Phototype. (In Locella, G., editor. Dante in der deutschen Kunst. 1890.) From pen-and-ink drawing, dated 1864, in the collection of King John of Saxony at Dresden. On the above plate the passage illustrated is incorrectly given as Par. xxii. 19-21. -2-[St. Bernard and other saints, Par. xxxii. 85-150.] Mounted photo. F. Hecker, Dresden. 16% 134 in. "Nach der Originalhandzeichnung aus dem Dante-Album Sr. Maj. des Königs Johann von Sachsen mit allerhöchster Erlaubniss für die Künstlerhausbau-Lotterie in Dresden in fünfzehn Examplaren photographirt und geschenkt von F. Hecker." In Dante portfolio, ii Argent, Jan d'. See Dargent. Barbieri, Carlo, illustrator. Commedia, con ragionamenti e note di N. Tommaséo. 1865; 1869. See Part I (D. C.). Begas, Karl. [Dante escapes from the Malebranche by Virgil's carrying him down to the sixth pit, Inf. xxiii. 34-66.] Phototype. (In Locella, G., editor. Dante in der deutschen Kunst. 1890.) From drawing, dated 1836, in the collection of King John of Saxony at Dresden. Same. Photo-engr. (In Federn, K. Dante. 1899. p. 39.) Bellucci, Giuseppe. Dante afflitto per la morte di Beatrice. Mounted photo. [From painting of 1857.] V. Pagandi fot. (In Mariotti, F. Dante e la statistica delle lingue. 188o. Frontisp.) Bendemann, Eduard. [The expiation of pride, Purg. x-xii.] Phototype. (In Locella, G., editor. Dante in der deutschen Kunst. 1890.) From drawing, dated 1836, in the collection of King John of Saxony at Dresden. -2 - - [Beatrice as Dante's guide in Paradise.] Engr. (In Goettliche Comoedie, metrisch übertragen von Philalethes. 1839-49. Th. iii. Frontisp.) A smaller plate is used in the 1855-66 ed. of the above. The original drawing of 1843 is in the collection of King John of Saxony. Same. Engr. V. Stanghi inc. (In La di. vina commedia, all' intelligenza di tutti. 1864. Frontisp.) With no indication whatsoever of the source of the picture. Bezzuoli, G. [Francesca and Paolo.] Engr. Terzaghi inc. (In Pellico, S. Francesca da Rimini; tragedia. 4a ed. Torino, 1830. Frontisp.) Pictures the episode of the reading of the book. Inferior plate. Le comte Ugolin et ses Engr. [After painting Exposition.] Coomans 1017 G 89 Biefve, Édouard de. fils dans la tour de Pise. exhibited at the Brussels sculpt Extracted from L. J. Alvin's "Compte-rendu du salon d'exposition de Bruxelles," 1836, where it is described, pp. 353-358. Bigioli, Filippo. Ciacco, ossia la bolgia degl' ingordi. Lith. 11 × 15 in. In Dante portfolio, ii. The title is in writing, as is also the following: "Prima prova di uno dei 25 quadri inventati dal celebre Prof. Bigioli per la trilogia dantesca. Same. Photo-engr. (In Federn, K. Dante. 1899. p. 17.) 2 - Francesca and Paolo, Inf. v.] — [Ciacco, Inf. vi. 38.] [Cato, Purg. i.]-[Matelda, Purg. xxviii.] 4 photo-engrs. (In Kraus, F. X. Dante, sein Leben und sein Werk. 1897. pp. 638-641.) The paintings were commissioned by Romualdo Gentilucci, who formed with them his Galleria dantesca. See Part II, sub Galleria dantesca, and Gentilucci, R. See also Ferrazzi, ii, pp. 357-359. Blake, William. [Illustrations of Dante; seven plates designed and engraved by W. Blake.] n. t.-p. [London, 1824-27?] obl. fo. 1017 T 25 Seven unsigned engrs., bound in one vol., without letter-press of any kind. The above title is taken from a cutting from one of Bernard Quaritch's catalogues, inserted in the above vol. The subjects of the seven engrs. are given as follows in Gilchrist's "Life of Blake," 1863, vol. 1, p. 333 (1) The circle of the lustful: Paolo and Francesca. [Inf. v. 137.1 (2) The circle of the corrupt officials: the devils tormenting Ciampolo. [Inf. xxii. 70.] (3) Same circle: the devils mauling each other. [Inf. xxii. 135.] (4) The circle of the thieves: Agnolo Brunelleschi attacked by the serpent. [Inf. xxv. 45.] (5) Same circle: Buoso Donati attacked by the serpent. [Inf. XXV. 82.] (6) The circle of the falsifiers. [Inf. xxix. 71.] (7) The circle of the traitors: Dante's foot striking Bocca degli Abati. [Inf. xxxii. 79.] The fifth of this series is reproduced by a photc-engr. forming plate 13 in Volkmann's "Iconografia dantesca." The seventh of the series is represented by a wdet. in Gilchrist, op. cit., vol. i, p. 334. Of the plates accompanying the article by W. B. Yeats on "William Blake and his illustrations to the Divine comedy,' 1896, q. v, the following are reproduced by photo-engrs. in Federn's "Dante," 1899: (1) The circle of the thieves. p. 38. (2) Antaeus setting Virgil and Dante upon the verge of Cocytus. p. 45. (3) Dante and Virgil climbing the foot of the mountain of purgatory. p. 81. (4) Dante, Virgil and Statius. p. 87. (5) Francesca and Paolo. p. 200. See the chapter on Dante in Ellis and Yeats's ed. of Blake's works, 1893, vol. i, pp. 137-140. Boecklin, Arnold. Francesca und Paolo in der Hölle. Photo-engr. (In Kraus, F. X. Dante, sein Leben und sein Werk. 1897. p. 671.) From a photo. by the Photographische Union of Munich. The original painting dates from 1893. A photo-engr. is also given in Federn's "Dante," 1899, p. 196. See Kunst für Alle, 1894, p. 391. Botticelli, Alessandro or Sandro. Zeichnungen zu Dante's Goettlicher Komoedie. 1887. - Drawings for Dante's Divina commedia. 1896. See Part II. The following scattered reproductions of single drawings in the series may be noted: Inf. i, Purg. xxix-xxxii, Par. xv. Photo-engrs. (In Kraus, F. X. Dante, sein Leben und sein Werk. 1897. pp. 609, 611, 613, 615, 617, 619.) Inf. viii, xv, xviii, xxxi, xxxiv, Purg. i, 1x, xix, xxx, xxxiii, Par. i, ii, v, xxviii. Photo-engrs. (In Federn, K. Dante. 1899.) Inf. viii, Purg i, Par iii. Wdets (In Wiese, B., and E. Percopo. Geschichte der italienischen Litteratur. 1899. pp. 92, 101, 108.) Inf. xv. Photo-engr. (In Gigas, E Italien. [1899?] p. 28.) Inf. xviii, Purg. x, Par. iii. Phototypes. (In Villari, P. The two first centuries of Florentine history. Vol. [ii]. 1895. opp. pp. 200, 202, 208.) Inf. xxxi. Wdet. (In Zeitschrift für bildende Kunst. Feb. N. F., Bd. x, p. 119) 1899. Inf. xxxi, Par. xiii. Wdet. and phototype. (In Volkmann, L. Iconografia dantesca. 1897Same 1898.) Purg. xxx. Photo-engr. (In Ulmann, H. Sandro Botticelli. [1894] p. 131.) Purg. xxxi. Photo engr (In Yeats, W. B. William Blake and his illustrations to the Divine comedy. 1896.) Purg. xxxii, Par iii, xxvii Facsims. on vellum paper (In Lippmann, F. Die Zeichnungen des Sandro Botticelli zur Göttlichen Comödie. 1883.) Par. ii. Photo-engr. (In Vising, J. Hvad vi beundra i Dantes Komedi. 18,5.) Par. iii. Wdet. (In Müntz, E. La renaissance en Italie et en France. 1885. p. 386.) Par. xxi, xxii. Photo engr. and wet (In Rosenberg, A. Der Dante des Sandro Botticelli. 1883.) Botticelli's plan of the Inferno is given in a phototype in Berthier's edition of the Divina commedia, vol. 1, 1892-[97], opp. p. 16. A phototype of Botticelli's painting of the "Birth of Venus," in the Uffizi, is given in Bassermann's "Dantes Spuren in Italien," 1897, plate 53. On the Dante drawings see Kraus, pp. 607-614; also notes in the Literary world (Boston), Jan. 27, 1883, vol. xiv, p. 24; — in Il bibliofilo, giugno, 1885, an vi, p. 95. Boulanger, Louis. [Meeting of Dante and Virgil, Inf. i.] Lith. de Frey. 9% × 634 in. Issued with L'artiste. In Dante portfolio, i. Boyer-Breton, M. The first meeting of Dante and Beatrice. Photo. [From original oil-painting.] Braun, Clément et Cie. 7 X10% in. (149) Briggs, Henry Perronet. [Francesca and Paolo, Inf. v. 100-102. Engr. [From painting.] J. Redaway sculpt. (In La divina commedia. Londra, 1827. Frontisp.) Busato, - [Matelda], Purg. xxviii. 82 et seq. - [Cacciaguida], Par. xv. 28 et seq. Viviani inc. (In La divina commedia. Firenze, 1838. — Same. Napoli, 1839; 1845; 1854; 1862. Same. Palermo, 1856.) 1859.) Same. (In I quattro poeti italiani. Napoli, Cabanel, Alexandre. Death of Francesca and Paolo. Photo. [From oil-painting of 1870.] Soule Co, Boston, Mass. 81⁄2 X 6 in. In Dante portfolio, iv. Same. Photo-engr. (In [La Ramée, Mlle. L. de.] Paolo and Francesca. By Ouida [pseud.]. 1895.) See description and historical sketch in Larousse, "Grand dictionnaire,' tom. xiii, 1875, p. 1218. Also René Ménard's article, "Salon de 1870," in Gazette des beaux-arts, 1870, 2o période, tom. iii, pp. 508-509. Cabanel's "Pia de' Tolomei" is in the gallery of Mr. W. H. Vanderbilt, New York. Same. Photo-engr. (In Pellico, S. Francesca da Rimini, translated in English verse by J. F. Bingham. 1897. opp. p. 3.) Same. Photo-engr. (In Zeitschrift für bildende Kunst. 1895. N. F., Jahrg. vi, p. 239.) -2- [The heavenly messenger, Purg. ii. 34-42.] Photo-engr. (In Kraus, F. X. Dante, sein Leben und sein Werk. 1897. p. 637.) From a painting done shortly before the artist's death in 1891. Same. Photo-engr. (In Zeitschrift für bildende Kunst. 1895. N. F., Jahrg. vi, p. 237.) "Die Skizze, denn es ist nur eine solche, wurde von Cassioli's Sohn für die Guerrazzi Capelle auf dem Friedhof von Livorno getreu kopirt."- Isabella M. Anderton, loc. cit. Celentano, Bernardo. Dante incompreso. Wdet. ["Disegno del signor Feoli da una fotografia dei fratelli Russo, di Napoli." Extracted from L'illustrazione italiana, 1 genn. 1882, pp. 10-11.] With description by D. Ciampoli, pp. 9, 12. In Dante portfolio, ii. The painting, illustrating the incident of the Vita nuova, § iv, was exhibited in the Mostra di Belle Arti, Milan, 1863. It was afterwards purchased by Prot. M. Semmola. Champagne, J. Dante's Beatrice. Engr. W. G. Chiavonio, M. A. See Schiavoni, M. A. Full length figure of Dante. Lith. Freschi sculp. Published and sold June 4, 1874, by Edw Orme, London. 1134 × 16% in. In Dante portfolio, i. Clovio, Giulio. Il Paradiso dantesco; nei qvadri miniati e nei bozzetti pvbblicati svgli originali della Biblioteca Vaticana [codice Urbinati 365] da G. Cozza-Lvzi. [1894.] See Part II. These miniatures have been attributed to various artists, among others Cesare Pollini. For reproductions of single drawings in the series see REPRODUCTIONS FROM MANUSCRIPTS. Colloca, Stefano. [Dante being crowned by Theology and Philosophy.] Engr. F. Mori inc. (In Simonetti, O. Filosofia di Dante. 1845. Frontisp.) Comte, Pierre Charles. Dante. Photo. [From oil-painting of 1878.] Soule Co., Boston, Mass. 81⁄2 X 54 in. Represents a picnic party, seated by the side of a stream, surprised by the sudden and weird appearance of the figure of Dante under the pine trees on the opposite bank. In Dante portfolio, iv. Consoni, Nicolò. Dante al Limbo, [Inf. iv. 88-90]. Engr. Gregori dis. Clerici inc. (In Gemme d'arti italiane. Milano, [1847]. An. iv, opp. p. 67) 1016 G 59 With description by Cesare Correnti, pp. 67-72. Conti, I. Meeting of Dante and Beatrice.] Engr. 1. Conti dip. e dis. L. Paradisi inc. 141⁄44 × 101⁄44 in. In Dante portfolio, ii. The meeting is the second referred to by Dante in the Vita nuova. Cornelius, Peter von. [Dante's Paradise; design for a ceiling in the Villa Massimi, at Rome.] Wdct. (In Locella, G., editor. Dante in der deut schen Kunst. 1890. Folded plate.) Both Locella and Volkmann give the name of the Villa incorrectly as Massimo. Same. [Much reduced in size.] (In Kraus, F. X. Dante, sein Leben und sein Werk. 1897. p. 627.) A still smaller reproduction is given in Federn's "Dante," 1899, p. 186. Consists of one central design, with eight others grouped around it to form an oval. Described in Kraus, pp. 625-626. Nine plates, with illustrative text by Dollinger, were published in book form, in two editions, Leipzig. [1830]. See Part 11. One section (plate vi of the book referred to) is reproduced in a wdct. in F. Piper, "Dante und seine Theologie," 1865, opp. p. 74; and two sections (plates vi and vii of the book) are com bined in a wdct. in Zeitschrift für bildende Kunst, 1884, Bd. xix, p. I. Corot, (Jean Baptiste) Camille. Dante et Virgile. Wact. Dessin de Roux. [Clipped from Magasin pittoresque, juillet, 1859, tom. xxvii, p. 209.] In Dante scrap-book, i, p. 119. The original oil-painting, exhibited at the Paris Salon in 1859, was presented by Q. A. Shaw to the Boston Museum of Fine Arts in 1875. A photo. (3% X 5%1⁄2 in.) by Chester A. Lawrence, Dorchester, Mass., is in Dante portfolio, ini Crane, Walter, illustrator. See Part II, sub Harrison, Miss E. The vision of Dante. 1894. Dargent, Jan', pseud. See references in Part II. A wdct. of the illustration to Inf. vi forms the frontisp. to the 1890 ed. of Artaud de Montor's translation of the Divina commedia Delacroix, Eugène. Dante et Virgile traversant le lac de la Ville infernale de Dité. Photo. 83% X 10% in. In Dante portfolio, iv. From an oil-painting exhibited at the Paris Salon of 1822. The painting was then for a long time in the Luxembourg, and is now in the Louvre. See description and historical sketch in Larousse, "Grand dictionnaire," tom. ii, 1867, p. 252, sub "Barque (La) de Dante." See also Appleton's journal, 1873, vol. ix, pp. 52-653. In 1895 there was offered for sale in Boston, Mass., a replica of Delacroix's painting by Ary Scheffer. Its present whereabouts is unknown. Same. Photo-engr. (In Federn, K. Dante. 1899. p. 21.) Same. Wdet. (In Giornale illustrato, numero del centenario. 13-19 maggio, 1865. p. 152.) Same. Wdet. (In the Magazine of art. 1883. Vol. vi, opp. p. 156.) Same. Wdet. L. Carred sc. [From L'art.] (In Muther, R. History of modern painting. 1896. Vol. i, p. 345.) Same. Wdct. (In Volkmann, L. Iconografia dantesca. 1897. Plate 16. Same. 1898.) Same. Wdet. [Clipped from L'univers illustré, 1861, p. 172.] In Dante portfolio, ii. With description, by U. d'Andravy, In Dante portfolio, i. Derif, G. Dante alla grotta di Tolmino. Engr. Miliara diresse. Aliprandi inc. (In La divina commedia, giusta la lezione del codice bartoliniano. 1823-28. Vol. i, opp. p. 1.) Devéria, illustrator. Casella, album di letteratura italiana e di canto, da A. Bianchieri. n d. See Part I (D. C.- French). A drawing of Dante and Petrarca by Devéria, engraved by L. Chaillot (?), is in Dante portfolio, i. Dicksee, Frank. Study for "Paolo and Francesca." Photo-engr. [From crayon sketch.] (In the Magazine of art. June, 1895. Vol. xviii, opp. p. 242.) The finished painting was exhibited at the Royal Academy in 1895. Diziani, G. See Ticiani, G. Part Ii and Supplement. See references in The following scattered reproductions of his drawings may be Nine photo-engrs. from wdcts. illustrate the anonymous ar ticle "The poet of the church." in the New York freeman's journal and Catholic register, May 16, 1896, (Dante scrap-book, i, p. 118). Eight wdcts. in Miss Selfe's "How Dante climbed the mountain," 1891. Seven wdcts. in [Miss Underdown's] "Stories from Dante," 1898. The wdct illustrations to the Inferno in Puigbo's Spanish translation of the Divina commedia, 1870, are copied from Doré. Doré's painting "Dante et Virgile visitant la septième enceinte is reviewed in Larousse, "Grand dictionnaire," supplément, 1878, p. 636. Of the portrait of Dante accompanying Doré's illustrations there is in Dante portfolio, i, a wdct. extracted from some folio edition of Dante. A poor wdct. of the portrait is in the ed. of Cary's translation published by F Warne and Co, [1873?]; a copy of this wdct. is also in the Dante portfolio, i. A mounted photo. of a wdct. of this portrait forms the frontisp. to the Frammento di un codice della Divina commedia," edited by R. Paoletti, 1890. Wdcts. also illustrate the 1894 ed. of the Commedia, Boston, Lee e Shepard, and C. Curti's "I grandi italiani: Dante Alighieri," 1889. Elliott, John. Dante in exile. Photo-engr. (In Roma; recueil artistique international, publié par le comité "Carità e lavoro." 1897. p. 8.) 1017 T 86 Emler, Bonaventura. Dante Alighieri's Gottliche Komödie in Zeichnungen, nach den Originalcartons im Besitze des Königs Johann von Sachsen. 3 photos. H. Hanfstaengel. [1867.] Two of them measure 15 × 113% in., the third 18% X 9 in. In Dante portfolio, ii. There is one design apiece for the Inf., Purg. and Par. For letter-press by Karl Witte, see Part II, sub Emler. Ermini, Pietro. [Beatrice and Dante ascending to the sphere of fire, Par. i. 101-102.] Engr. Pietro Bettelini incise. Luigi Bardi imprese. (In La divina commedia. 1804-09. Tom. iii, opp. p. 5.) Same. [Large-paper copy.] 8% X 12% in. In Dante portfolio, ii. Etex, Antoine, illustrator. Œuvres: La divine comédie, traduction par S. Rhéal [i. e., S. G. de Cesena]. 1854. See Part I (D. C.— French). Fabris, D., illustrator. La divina commedia. 1840-42; 1840, '43, '42. See Part I (D. C.). Falcini, Carlo. [Illustrations to Purg. ii. 28-30 and Par. xxvi. 94-96.] 2 engrs. Lasinio figlio incise. (In La divina commedia, col comento del p. P. Venturi. 1821. Tom. ii, iii. Frontispp.) Faruffini, Federico, illustrator. Commedia, con ragionamenti e note di N. Tommaséo. 1865; 1869. See Part I (D. C.). The idealized portrait of Dante in Tommaséo's 1865 ed. is an engr, after a painting of 1859 by Faruffini, In the Dante portfolio, iii, is a souvenir postal card, published by L. Franceschini e C., Firenze, 1900, containing a photo-engr. of this plate. Feuerbach, Anselm. Dante und die Frauen. Photo-engr. (In Kraus, F. X. Dante, sein Leben und sein Werk. 1897. p. 667.) From a photo. by F. Hanfstaengl, Munich. For description of the original painting (with notice of other Dante pictures by Feuerbach) see Kraus, pp. 670, 672, and Vo'kmann, “Icongrafia dantesca," 1897, pp. 157-158, -same, 1898, pp. 140-142. Flandrin, (Jean) Hippolyte. Le Dante accompagné de Virgile offre des consolations aux mânes des envieux. Wdet. U. Parent. [Clipped from L'univers illustré, 4 mars, 1865, p. 137-] In Dante scrap-book, i, p. 31. Lacks letter-press description. Presumably the same painting as the "Dante and Virgil in Purgatory," ascribed by Champlin and Perkins to the year 1836. Flaxman, John. See references in Part II. Six of the drawings are reproduced in unsigned engrs in Heigelin's German translation of the Divina commedia, 1836-37. Wdets of many of the drawings appear in La divina commedia. Firenze, Fabris, 1840-42. Vignette copies of Flaxman are scattered throughout the text of Schuler's "Dante's Göttliche Komödie in 125 Bildern," 1892, and “La divina commedia di Dante Alighieri compendiata nella parte narrativa e descrittiva ad illustrazione dell' opera in 125 figure," 1893. The greater number of the illustrations in Pollock's translation of the Divine comedy were redrawn from Flaxman by George Scharf. The drawing for Inf. v. 142 is reproduced in Bingham's English translation of Silvio Pellico's "Francesca da Rimini," 1897, opp p. 85. Focosi, [Dante al monistero di Sante Croce del Corvo] Engr. Gandini inc. (In Strenna italiana. Milano, n. d. opp. p 75.) - 1017 C 236 Illustrates Mezzanotte's poem with the above title. 2- Dante alla corte di Can Grande della Scala, Signore di Verona. Engr. Santamaria inc. (In Dandolo, T. I secoli dei due sommi italiani, Dante e Colombo. 1852. Vol. i. Frontisp.) Fontebasso, Francesco. Illustrations to Inf. vi, vii, ix, xvii; Purg. viii, xi, xxii-xxv; Par. xxiii, xxviii-xxx, engraved by various hands.] (In La divina commedia. 1757-58.) Frascheri, Giuseppe. Francesca da Rimini. Wact. [After oil-painting.] (In L'esposizione italiana del 1861; giornale. 15 luglio, 1862. Num. 36, p. 281.) 1017 G 245 With description by Cesare Tellini. Führich, Joseph, RITTER Von. [Valley of the princes; the angels expelling the serpent; Sordello, Nino Visconti, Corrado Malaspina, Purg. viii] — [The first round of Purgatory, Purg x, xi] 2 phototypes. (In Locella, G., editor. Dante in der deutschen Kunst. 1890) From two drawings, dated 1865 and 1871 respectively, in the collection of King John of Saxony at Dresden. Photo-engrs. of both are given in Federn's "Dante," 1899, pp. 65, 75. Gandini, [Illustrations to Inf. v. 137, xxxiii. 58, Purg. v. 133-134, Par. iii. 106-107.] Engrs, (In La divina commedia, con note di P. Costa. Milano, 1850.-Same. 1862) Geissler, P. C. [Ugolino and Archbishop Ruggieri. Inf. xxxii 124-129. Engr. Carl Myer's Kunst-Anstalt in Nürnberg. (In Die göttliche Komödie, uebersetzt von [K. G. von Berneck]. 1840. - Same. 1842. - Same. 1856.) On the plate in the 1898 ed. the name of the artist is incorrectly given as Garelli. This series is one of a series of thirty-six drawings by Ge nelli, iliustrating the Divina commedia, and edited by M. Jordan, Leipzig, 1867. See Part II. Gérôme, Jean Léon. Dante at Ravenna. Photo. [From engr., (by J. Levasseur ?) after the oil-painting in possession of Mr. Morris K. Jesup, New York.] Soule Co., Boston, Mass. 81⁄2 × 45% in. In Dante portfolio, iv. Based on the popular legend to which Boccaccio gave form in his life of Dante, § viii, to the effect that as Dante was one day passing a group of women he overheard one of them say: "Do you see the man who goes to Hell, and returns again, at his pleasure, and brings up here tidings of them that be below?" To which it was answered: "In truth it must needs be as thou savest. See'st thou not how his beard is crisped and his skin darkened by the heat and smoke that are below?" Boccaccio lays the scene of the story in Verona. Same; detail. [Head and shoulders.] Wact. (In Norton, C. E. Dante. 1897.) Gisbert, Antonio. Paolo and Francesca. Photoengr. (In [La Ramée, Mlle. L. de ] Paolo and Francesca. By Ouida [pseud.]. 1895.) Pictures the episode of the reading of the book. [Illustrations, engraved by various hands.] (In La divina commedia. 1846-48.) Greiner, Otto. [The Malebranche fighting with one another, Inf. xxii.] Phototype. (In Volkmann, L. Iconografia dantesca. 1897. Plate 17. - Same. 1898.) From an etching by the artist, made in Rome, 1896. Greiner's original water-color of 1895 is in the Leipzig Museum. Same. Photo-engr. (In Federn, K. Dante. 1899. p. 35.) Grosse, (Franz) Theodor. [Virgil besought by Beatrice to go to Dante's aid, Inf. ii. 52-114] Phototype. (In Locella, G., editor. Dante in der deutschen Kunst. 1890.) From drawing, dated 1867, in the collection of King John of Saxony at Dresden. - 2 Landing of souls in Purgatory. Photo. [From oil-painting of 1879 in the Dresden Gallery.] Soule Co. 83% x 5 in. In Dante portfolio, iv. Guaranna, Giacomo. [Illustrations to Par. v, vi.] 2 engrs. Magnini f. (In La divina commedia. 1757-58. Tom iii.) Hamman, Édouard Jean Conrad. Le Dante à Ravenne en le voyant passer les femmes et les enfans effrayés, se disaient: Voilà celui qui revient de l' Enfer. Engr. Gravé par P. Allais. 38 × 28 in. (319) After the original oil-painting of 1859. Hess, Heinrich. [The landing of souls in Purgatory, Purg. ii. 13-51.] Phototype. (In Locella, G., editor. Dante in der deutschen Kunst. 1890.) From painting, dated 1838, in the collection of King John of Saxony at Dresden. On the above plate the passage illustrated is incorrectly given as Purg 13-51. Same. Photo-engr. (In Federn, K. Dante. 1899. p. 57) Same. Engr. Gust Zumpe sc. (In Goettliche Comoedie, metrisch übertragen von Philalethes. 1839-49. Th. ii. Frontisp.) Hofmann-Zeitz, L. Francesca and Paolo. Photoengr. Hanfstaengl. (In Locella, G., editor. Dante in der deutschen Kunst. 1890.) Same. Photogravure. Hanfstaengl. (In Wildenbruch, E. von. Franceska von Rimini. 1892. Frontisp.) |