The Moro Morality Play: Terrorism as Social Drama

Naslovnica
University of Chicago Press, 15. stu 1986. - Broj stranica: 360
On March 16, 1978, the former prime minister of Italy, Aldo Moro, was kidnapped by the Red Brigades, and what followed—the fifty-five days of captivity that resulted in Moro's murder—constitutes one of the most striking social dramas of the twentieth century. In this compelling study of terrorism, Robin Wagner-Pacifici employs methods from sociology, symbolic anthropology, and literary criticism to decode the many social "texts" that shaped the event: political speeches, newspaper reports, television and radio news, editorials, photographs, Moro's letters, Red Brigade communiques, and appeals by various international figures. The analysis of these "texts" calls into question the function of politics, social drama, spectacle, and theater. Wagner-Pacifici provides a dramaturgic analysis of the Moro affair as a method for discussing the culture of politics in Italy.
 

Sadržaj

Preface
ix
Acknowledgments
xiii
Introduction
1
Event and Epistemology
2
The Social Drama
7
The Significance of Social Hermeneutics
13
Organization of the Book
18
Italy 1978
22
Moro Public and Moro Private
212
A Precedent for Expulsion
215
The Need for Purification
217
Moros Moral Passage
220
Aesthetic Imperatives
231
The Praxis of Reconciliation and the Praxis of Schism
239
Trial in Torino
240
The Trial in the Peoples Prison
247

The Protagonists
24
Legitimation Crisis
40
Breach The Country in the Streets
62
Definition
71
Defense
93
Crisis Recognition and Negotiation
127
The Significance of Negotiation as an Exchange Activity
134
Varieties of Recognition
136
Conclusion
161
Redress Elaboration of Symbolic Power
164
Terminology
166
The Root Paradigms
169
Conclusion
202
Reconciliation or Schism Theory
205
The Authority of Authorship
206
The Final Act
207
A Case of Structural Convergence
209
Moros Career
210
The Interpretation of Evidence
250
Performance and Competence
251
The Letters as Evidence
253
The Benign Interpretation
264
The Family as Plaintiff
269
Conclusion
272
The Model of Ritual
273
Ritual and Theater
276
Tragedy versus Melodrama
278
Heroes and Villains
284
Police Powers and Maximalist Appeals
287
Modes of Mediation
292
Documents of the Drama
295
Notes
307
Bibliography
339
Index
349
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O autoru (1986)

Robin Wagner-Pacifici is the University in Exile Professor of Sociology at the New School for Social Research. She is the author of many books.

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