Queering the Pitch: The New Gay and Lesbian Musicology
When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. The first collection of its kind, its contributors covered a wide range of subjects from analysis of the work of gay composers to queer readings of Schubert's Unfinished Symphony. Among the contributors were many then-new scholars, --including the late Philip Brett (one of the editors of the first edition), Susan McClary, Jennifer Rycenga, Paul Attinello, and Martha Mockus--who have since become leaders in the field. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope, which was written for Grove's Dictionary of Music-but only published in a greatly reduced version, because of its strong political approach. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.
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Chapter 1 QUEERING THE PITCH
Chapter 2 MUSICALITY ESSENTIALISM AND THE CLOSET
Chapter 3 SAPPHONICS
Chapter 4 ON A LESBIAN RELATIONSHIP WITH MUSIC
Chapter 5 A CONVERSATION WITH NED ROREM
Chapter 6 HENRY LAWESS SETTING OF KATHERINE PHILIPSS FRIENDSHIP POETRY IN HIS
Chapter 7 UNVEILED VOICES
Chapter 8 WAS GEORGE FRIDERIC HANDEL GAY?
Chapter 11 QUEER THOUGHTS ON COUNTRY MUSIC AND kd lang
Chapter 12 LESBIAN COMPOSITIONAL PROCESS
Chaper 13 GROWING UP FEMALES
Chapter 14 AUTHORITY AND FREEDOM
Preface to Lesbian and Gay Music
Chapter 15 LESBIAN AND GAY MUSIC
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artists Barthes Beethoven Benjamin Britten Britten Calvé Carmen castrato Cather century choruses closet composer composer’s country music critics culture desire deviant discourse diva erotic essay ethel smyth example female feminine feminist Fremstad friends friendship gamelan gay and lesbian gay group gender George Handel Henry Lawes heterosexual Hogwood homoerotic homophobia homosexual interesting iolanthe italian k. d. lang lang’s lesbian lesbian and gay listener living London lover Lucasia male masculine McClary McPhee mean Musical excellence musicians musicology narrative ned Rorem o’Brien opera passion Penthesilea Performance opportunity phallic Philip Brett Philips’s play poem poetry Poets Political identity queer question relationship role Rorem same-sex sapphonic schubert schubert’s music sense sexual singers singing smyth social society sodomite sodomy song soprano studies subculture suggest susan McClary theme tion tradition transvestic University Press Viardot vocal voice Wayne Koestenbaum Willa Cather woman women words writing Zambinella
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