Novels Into FilmUniversity of California Press, 1971 - Broj stranica: 237 |
Sadržaj
The Limits of the Novel and the Limits of the Film | 1 |
The Informer | 65 |
Wuthering Heights | 91 |
Pride and Prejudice | 115 |
The Grapes of Wrath | 147 |
The OxBow Incident | 170 |
Madame Bovary | 197 |
EPILOGUE | 215 |
221 | |
231 | |
Ostala izdanja - Prikaži sve
Uobičajeni izrazi i fraze
achieve aesthetic alterations appears artistic audience becomes Bennet Bingley camera Cathy's characters Charlotte Brontë cinematic Clark's conflict consciousness conventions critical dance Darcy Darcy's Davies death deletions dialogue dramatic dreams Dudley Nichols E. M. Forster editing effect Elizabeth Ellen Emily Brontë Emma Emma's example face Farnley fiction film adaptation film-makers film's filmic final Flaubert Ford Frankie Gallagher Government Camp Grapes of Wrath Gypo Gypo's Heathcliff Hollywood human Jane Austen Joads John Katie kind language Linton literary literature Lizzy London Madame Bovary McPhillip medium Mendilow moral movie narrative never novel and film novelist Nunnally Johnson O'Flaherty's Ox-Bow Incident physical reality pictorial precise present Pride and Prejudice production Pudovkin render Review says scene screen writers script seems sequence shooting-script shot social sound space spatial Steinbeck's story structure suggests symbol tells Tetley theme thing tion tropes visual Wickham Wuthering Heights York